Poems

Selected Work Online

“Susie Crews,” “The Double,” & “Blue Ridge Parkway at the James River Crossing,” SOFTBLOW (February 2021)

“Eidola,” Bluestem (Fall/Winter 2020)

“We speak of a person as a body—,” The Cincinnati Review (sample from Fall 2020 print issue)

“Last night’s dream,” “First Freeze, New Moon,” & “Bath at Midnight,” Puerto del Sol (October 2020)

“Driving Directions,” On the Seawall (September 2020)

“Distance,” “Stonefruit Season,” & “Daydream,” The Shore (Autumn 2020)

“Self-Portrait as Water Witcher,” winner of the 2020 Graybeal-Gowen Prize for Virginia Poets, Shenandoah (Spring 2020)

“Equipoise,” THRUSH (May 2020)

“Southern Crow,” THE BOILER (Winter 2020)

“Hydronym” & “Ghost Forests,” New Limestone Review (November 2019)

“Saltern,” Sixth Finch (Summer 2019)


In Print

“Driving to Amarillo,” San Pedro River Review (Spring 2021)

“Storage,” 32 Poems (Fall/Winter 2020)

“Lime Kiln Point” & “We speak of a person as a body—,” The Cincinnati Review (Fall 2020)

“Self-Portrait as Celestograph,” Pleiades (Summer 2020)

“self-portrait,” Barrow Street (Spring 2020)

“February in the Volunteer Park Conservatory,” Yemassee (Fall 2019)

“Lenten Moon” & “Sap Moon,” Salt Hill (Spring/Fall 2019)

“North Hills” & “List of unlucky symbols,” Sugar House Review (Spring/Summer 2018)


Multimedia

“Self-Portrait as Water Witcher” reading with video by Leeann Passaro, Shenandoah (Spring 2020 social media feature)

“North Hills” poem and audio, Sugar House Review (Spring/Summer 2018 sneak peek)


Forthcoming

“Melitodes” & “Oronym,” Appalachian Review; “Winter Letter” & “Summer Letter,” Arcturus; “The Shade Artist,” Colorado Review; “In Lockdown, Looking Through Found Photographs,” DIAGRAM; “Compline in Late May,” FOLIO; “Signs,” Fairy Tale Review (Gold Issue); “The Wood Room,” The Fourth River; “Old Moon,” Mid-American Review; “Museum,” “Still Life with Mirror,” “Pretending to Be Asleep,” “Studio 3,” & “Three Children Covered Half by a Thumb,” finalists for the Twelfth Annual Poetry Contest, Narrative; “Flying Back at Night,” The National Poetry Review; “Mt. Athos” & “Anne Lester,” New Ohio Review; “False Spring” & “Dislocation,” Nimrod International Journal; “Cinema Egyptian,” Northwest Review; “Saltern” & “Hydronym,” The Southern Poetry Anthology, Vol. IX: Virginia (Texas Review Press); “Harriet Mackie (The Dead Bride),” Sycamore Review; “Woods Eye” & “Haunts,” Zone 3