Writing

Selected Poetry Online

Selected Poetry in Print

  • “Exposures” & “Speaker,” AGNI (Spring 2022)
  • “Piecing,” Arc Poetry Magazine (Spring 2022)
  • “Acreage” & “Incomplete List of Items in the Yard,” The Carolina Quarterly (Winter 2022)
  • “Untitled Figure 1,” “Slip,” & “Landscape with Guide,” New England Review (Winter 2021)
  • “Sky Survey” & “Lemon and Pins,” Cream City Review (Fall/Winter 2021)
  • “The Shade Artist,” Colorado Review (Fall/Winter 2021)
  • “Harriet Mackie (The Dead Bride),” Sycamore Review (Winter/Spring 2021)
  • “False Spring” & “Dislocation,” Nimrod International Journal (Spring/Summer 2021)
  • “Cinema Egyptian,” Northwest Review (Winter 2021)
  • “Melitodes” & “Oronym,” Appalachian Review (Winter 2021)
  • “Storage,” 32 Poems (Fall/Winter 2020)
  • “Lime Kiln Point” & “We speak of a person as a body—,” The Cincinnati Review (Fall 2020)
  • “Self-Portrait as Celestograph,” Pleiades (Summer 2020)
  • “Lenten Moon” & “Sap Moon,” Salt Hill (Spring/Fall 2019)

Scholarly Work in Print

  • “ ‘Nay, rather, Lord, between’: The Unification of Body and Spirit in Wharton’s Deathbed Dramatic Monologues,” winner of the 2021 Elsa Nettels Prize for a Beginning Scholar, Edith Wharton Review, vol. 37, no. 1 (2021)