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Selected Poetry Online
“Elegy for Oneida Creek ,” The Yale Review Online (Poem of the Week)“Hemispheres ,” American Literary Review Audio for “Untitled Figure 1 ,” “Slip ,” & “Landscape with Guide ,” New England Review “To a Tattoo ,” Roanoke Review “Stitched Circle in the Corner of a Borrowed Blanket ,” Valparaiso Poetry Review “Mt. Athos ” & “Anne Lester ,” New Ohio Review (online reprint with audio)“Near Winter Solstice” & “Camera Obscura ,” Two Peach “Early February” & “Remarks Before Florence ,” Terrain “In Lockdown, Looking Through Found Photographs ,” DIAGRAM “Signs ,” Poetry Daily (reprinted from Fairy Tale Review ’s Gold Issue )“Three Children Covered Half by a Thumb ,” Narrative (Poem of the Week)“Nights of a Thousand Candles ,” The Common Dispatches“Museum,” “Still Life with Mirror,” “Pretending to Be Asleep,” & “Studio 3 ,” finalists for the Twelfth Annual Poetry Contest , Narrative “We speak of a person as a body— ,” The Cincinnati Review (issue sample)“ Last night’s dream,” “First Freeze, New Moon,” & “Bath at Midnight ,” Puerto del Sol “ Driving Directions ,” On the Seawall “ Self-Portrait as Water Witcher ,” winner of the 2020 Graybeal-Gowen Prize for Virginia Poets, Shenandoah “ Hydronym” & “Ghost Forests ,” New Limestone Review “ Saltern ,” Sixth Finch Selected Poetry in Print
“Exposures” & “Speaker,” AGNI (Spring 2022 )“Piecing,” Arc Poetry Magazine (Spring 2022 )“Acreage” & “Incomplete List of Items in the Yard,” The Carolina Quarterly (Winter 2022 )“Untitled Figure 1,” “Slip,” & “Landscape with Guide,” New England Review (Winter 2021 )“Sky Survey” & “Lemon and Pins,” Cream City Review (Fall/Winter 2021 )“The Shade Artist,” Colorado Review (Fall/Winter 2021 )“Harriet Mackie (The Dead Bride),” Sycamore Review ( Winter/Spring 2021 ) “False Spring” & “Dislocation,” Nimrod International Journal (Spring/Summer 2021 )“Cinema Egyptian,” Northwest Review ( Winter 2021 ) “Melitodes” & “Oronym,” Appalachian Review (Winter 2021 )“Storage,” 32 Poems (Fall/Winter 2020 )“Lime Kiln Point” & “We speak of a person as a body—,” The Cincinnati Review (Fall 2020 )“Self-Portrait as Celestograph,” Pleiades (Summer 2020 )“Lenten Moon” & “Sap Moon,” Salt Hill ( Spring/Fall 2019 ) Scholarly Work in Print
“ ‘Nay, rather, Lord, between’: The Unification of Body and Spirit in Wharton’s Deathbed Dramatic Monologues,” winner of the 2021 Elsa Nettels Prize for a Beginning Scholar, Edith Wharton Review , vol. 37, no. 1 (2021)
Emma Aylor 